Category: Books
Some thoughts on AR Poetry
For those who knew me before Critical Lit Games will know that I’ve loved writing and performing poetry. It’s a way for me to get thoughts out in writing without having to necessarily frame it in the same way as I would for prose like short stories or novellas (or plays, for that matter). Critical Lit Games was initially a way of blending text based, poetry and immersive mediums together – I then developed (and am still developing as we speak) an AR Gamebook, going back to prose and gaming elements.
Since Lens Studio came out, the idea of creating quick literary experiences really appealed to me. With something as popular as Snapchat, these codes could be easily distributed and experienced in a short period of time. It also led me to think of what AR really is and how poetry could benefit from it.
From someone who has published poetry online and in book form, as well as performing spoken word, it’s interesting to see where AR could fit within this spectrum of form. I’m all for poetry shared in a myriad of ways – print books, Instagram, physical and online stages, brick walls, napkins etc. and it’s about finding the strength of the medium to really unlock its unique potential.
So… long story short. AR Poetry can be a new form of framing.
Performance strives in the present. When we are physically within the space, you drink in the atmosphere; experiencing the senses first hand (as much as we technically can) – sights, sounds, touch, smells. There is a commitment, an investment to go to a live performance (especially nowadays) and this is the payoff. There is a reason where live events will be timeless and always a part of our lives, no matter what technology we have.
Recorded poetry, in video and book form, is about preservation. You can connect to someone in the past, whether it’s from a few hours ago to centuries ago. You can savour the words over and over again as they were laid down. It is posterity, a legacy, which found its home in you.
Augmented reality poetry can thrive in its framing. It creates meaning in its attachment to the surrounding area. For example, I wrote a poem for a daily commute to be used on someone’s route to work, school or college – seeing the journey in a new way. I wrote a poem for the snow (another form of augmented reality) It provides a commentary based on your experience in the present, but recorded in the past. You can embody the words; walk through them, reach out and touch them, sit down next to them. I would love to see people with the snap code film it in their life, seeing how the same frame can co-exist in so many realities. Maybe it’s a hybrid form?
Another thing I’m working on is the audio input: where the reading/recording can activate on proximity to the words. Maybe there can be a sense of participation on the receiver’s end, where they can “rearrange” the poem in terms of voice?
There’s a lot to think about and work out – that’s why I love it so much!
Feel free to share your thoughts with me – I’d love a discussion on this! I have made a new Instagram for my AR Poetry, so you can try out the Snapcodes there!
Of course, there’s always my Snapchat – search for @criticallitgames!
Suzie
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CritLit Circuit: December 2017
So December was a busy month – and it’s still here, believe it or not! Plenty had changed since my last exhibition in July – I was starting to hand illustrate most of my assets, I had removed and rehashed big sections that I had shown to previous audiences, and I had more puzzles to show.
I was also exhibiting to a broader audience – from VR/AR to Board Games, Game Books and Console/retro games. As a whole, these events allowed me to understand a broad range of expectations – both as an AR game and as a gamebook.The feedback, then, was even greater than I could have ever hoped to get. Coming Home fits such a niche area – and the general consensus from the two events were very different, I have to say.
I thoroughly enjoyed the conventions, even if I did have very little sleep before both of them! I got to try out some great card games and indie video games, meet great people and managed to get in a bit of Mario Kart 8 Deluxe and ARMS! There was even a video game music orchestra, which is right up my alley!
Another highlight was Ian Livingstone’s talk on the history of Games Workshop and Fighting Fantasy – so inspiring and heart warming! I also managed to get a Gamebook signed by him as well!
I’m planning for some events coming soon, so do stay tuned for more updates as they come! Hope you had a great holiday/day(s) in general!
Suzie
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From Dragonmeet
From WeGeek Utopia
The History of the Bookmark
As I’ve been developing and designing a range of AR Bookmarks (or what I call the Book.AR.k), why not share the history of such a universal and practically timeless gadget from its conception? In this post, I will trace its story from its physical to its digital form!
Humble Beginnings
Bookmarks can be traced back further than we might think – with indications that bookmarks first emerged in the 1st century AD as an accompaniment to codices. Codices, plural of codex, (coming from the Latin caudex – meaning block of wood, which also could be used in a pejorative way i.e. blockhead!) were books made of paper/vellum/papyrus with its contents handwritten.
In Egypt, near Sakkara, the earliest bookmark was found – dating from 6th Century AD and made of ornamented leather.
In later centuries, when you consider the rarity of the earliest print books, it makes sense that they would want to protect them from physical wear and tear – and the bookmark could freely mark any page the reader wanted without doing so. Queen Elizabeth I was one of the first to own a bookmark (or “bookmarker”) by the Queen’s Printer, Christopher Barker. The bookmark in question was fringed with silk.
By the 1880s, the woven silk bookmarks were becoming replaced with the stiff paper and cardboard versions that we’d be more familiar with today.
Nowadays, many styles of bookmark are available – made in either metal, cardboard, fabric or plush. They can come in many shapes and sizes – even in a clip or magnetic form.
From Physical to Digital
Bookmarking functions can be found in every browser today, but the first design for a digital bookmark actually preceded the World Wide Web. Craig Cockburn proposed a touchscreen device called a PageLink in 1989 – similar to a hybrid of an ebook reader/browser. His patent, although applied for, was never produced.
Instead, it was the browser Mosaic 1.0 in 1993 that popularised the type of digital bookmark that we know today – called a Hotlist. It would change colour depending on whether the link had been visited before – tracking the history of where the person browsed.
Nowadays, due to the heavy use of mobile phones, bookmarks are often synched between device and laptop/computer, enabling a consistent presence of searched and curated information.
So why the Bookm.AR.k?
When designing the Book.AR.k, I put forward the most important question – what does mixed reality add to the experience? If a physical bookmark has AR content, what helps and what hinders its original function – to mark the place of the reader?
If we go back to the precious nature of the printed book and the need to preserve it, attitudes have changed since then. We can sometimes be accused of folding our book corners in lieu of a bookmark, as well as scribbling in the margins.
So why not have clear notes that are linked to the bookmark? Why not integrate a digital system – one that autosaves and stands the test of time of wear/tear, and stays in one consistent place?
I’ll have another page, depicting all of the bookmarks in the range (plus one I’m extremely excited about, the specialised D&D edition) in a lot more detail.
I hope you enjoyed this rather different post!
Suzie
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Read a Book Day
It seemed fitting to write a blog for this special day – my relationship with books and reading has been lifelong (well, from the age of 3, but who’s counting?) and it just seemed right to tap some words into the space on the theme. The post seems especially appropriate as Coming Home is pretty much a homage to the two things that have stayed with me: books and video games.
So what I thought I’d do is to list some of my favourite Gamebooks and Visual Novels – the perfect blend of the two, in my opinion!
- The Eternal Champions: The Cyber Warriors
It was so hard to track this down from the depth of my childhood memories – it’s a gamebook from the 1990s and based on a SEGA Megadrive game that I never got round to playing. I always remember the joys of creating my character, especially picking the fighting style and seeing the resultant combat mechanics in the game (I wanted to learn Aikido so much after this book). Cyber Warriors sees the reader hopping between different periods of time and countries around the world – like a time travelling Street Fighter. The premise, however, goes a little deeper than that. Clones of the Eternal Champions are trying to replace the real ones – and it’s your job to protect them.
I always found this gamebook so difficult – it was definitely one that had a lot of replay value. This was one where I could play and read through if I was finding a section a little too tricky. The second in the series was called Citadel of Chaos, which I sadly never got to read!
- Sonic vs. Zonik
I was (and am) a huge fan of the Sonic the Hedgehog series, so anything that had the blue blur in book form is an instant win for me! This book came out in 1994 – before the Sonic Adventure series (which I actually really enjoy as well as the 2D side scrollers) – so it was unusual to see Sonic and Tails with voices. There are homages to the console games in the book – there’s a rather long pinball segment, for example – but there’s also the more mundane parts of reality covered. I always remember the surprise at seeing Sonic and Tails taking a bus for the first time (despite being rather fast individuals) and the option to ask the driver where he’d recommend was so amusing to my younger self. I really want to find this again to refresh my memory!
- VA-11 HALL-A: Cyberpunk Bartender Action
This is a visual novel I played through recently and I feel as though this game was made for me. The aesthetic, soundtrack and characters are beautifully designed – channelling that 90s retro futuristic vibe. The joys and downfalls of technology are insightfully plotted that, despite being set sometime in the future, could be easily seen in the next few decades. In my opinion, good science fiction is about the present in its projections of the future – and VA-11 HA11-A has this in spades.
Its strength, however, lies in its characters. In a bartending simulator, people come to you – and their personalities and stories are the main ingredients to keep you coming to the screen (you don’t get paid in real life for your shifts there, after all). There’s been a lot of fan art, which shows how much these characters are admired. The mechanic of mixing drinks is fantastic – as you understand each of your patrons, you know what drinks they need as they undergo rather harrowing experiences. Highly recommended!
- Hotel Dusk
I’m picking the first one of the series as I have a greater emotional connect to this one. It’s strange: it connects me temporally to my last year of my BA (2008), and the feeling of leaving University tethered itself to Kyle Hyde’s short stay at Room 215.
He comes to the hotel in order to find his former work partner, Bradley, whilst working as a door to door salesman. Every person in his corridor has some link to each other – because of course they would – and Kyle finds out much more than he bargained for.
I loved the format of the Visual Novel – it worked perfectly with the Nintendo DS. You could open and close it like a book – it even serves as a function to solve puzzles. There’s a notebook in your inventory where you can scribble notes with the stylus – and it just feels so authentic with that tangible feel. I also fell in love with the artwork, style and characters – if only Cinq were still around *sigh*.
Actually, if you wanted to revisit this lovely art style, check out the Visual Novel One Night Stand – a simple premise that packs a lot of character and story within its scenes.
So this is just a taste of some of my influences in terms of game mechanics and themes – I may do a series of these if people are interested!
Suzie
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Critical Lit Games 